Monday 13 March 2017

WELCOME, MODERATOR


Welcome, moderator! I am Megan Sedgwick 1473 and I worked with Alexandra MacLeod 1472 and Josephine Dean 1470.


I hope you enjoy my blog, which contains my work on my G321 Foundation  Portfolio. We chose the video brief, the titles and openings of a fictional thriller film which we named UNFORGOTTEN. My preliminary exercise follows immediately underneath. 

I took specific responsibility for filming the scene in which Ally spoke on the phone and I also took responsibility for the editing.

My evaluation questions are above.

Tuesday 24 January 2017

PLANNING: FILM OPENING CREDITS

Studio that is distributing the film: Metrodome

We chose this distributor because it based in London and well known for distributing films made by independent and new film producers. They wanted to reach a young, urban audience known as Urban Genre.

Production company: JAM

This is an acronym of our names.  


Film title: Unforgotten

Featuring: Jane Sedgwick, Megan Sedgwick, Ally Macleod 

Casting by: Josie Dean

Editor: Megan Sedgwick

Based on the play (novel, graphic novel) by: N/A

Screenplay: Ally Macleod

Director: Josie Dean

Monday 9 January 2017

PLANNING: PADLET

Today our group decided to create a Padlet account. Padlet is a platform on with we can share text, images and videos. We will use this to communicate and organise and share our character interviews.

My Padlet- Character Development

Monday 5 December 2016

REASEARCH- BIFA

I have been following the BIFA this week and was especially curious because one of the nominations was American Honey, which I was introduced to when I went to the BIFA, as an example of a UK British independent film.
https://www.bifa.film/awards/nominations

I am particularly interested in the film American Honey because of the similarities it has with the film we are going to make. This film was made at 2.7 million budget, which is not very expensive.

I learnt that American Honey counted as a British film as it had a British director and cast and other key organisations involved. Andrea Arnold is also well know for Fish Tank (2009) which had a budget of only 1.3 million pounds, compare this to Star Wars 230 million pounds.

Its key themes involve young people, their lifestyle and hedonism. these are all themes and issues not usually explored by mainstream film. Equally there were not expensive sets because everything was shot on location. Part of the social realism in this film was how the camera was handheld, depicting urban youth, also giving the imp cinema verité.

In production values our film will be very low budget like these independent British films. Also we will be shooting on location, not on a set. American Honey shares similar themes to our film, such as youth, realism and love. 



Tuesday 29 November 2016

PLANNING: GETTING TO KNOW YOUR CHARACTERS

We have decided to interview three of our characters, the mother, the younger daughter and the elder daughter. I looked at this article called 'Get to Know Your Characters by Giving Them a Questionnaire', which was written by Charlie Sierra. He spoke about the book called "Riding The Alligator", written by Pen Densham – an Oscar nominated filmmaker with 16 features and over 300 hours of TV under his belt. Pen Densham talks about the importance of developing your characters and getting to know the characters that will be in your film.

Pen Densham suggests that people should create a list of questions to ask the character, so you can get to know who they are and how the behave.


OPEN SOURCE HERE



Interview- Younger sibling
exchange in whats apps messages between Emily and a friend.
'are you alright'
'yeah'
'how's your mum?'
'She is fine, why wouldn't she be'
'well you sister's gone emily, she's not coming back. You need to accept death sooner or later. always here to talk'
'I don't need to talk, I'm with my sister'
'What?'
'I'm sitting next to my sister'
'you have to let it go someday'


Interview- Mother
mother interviewed by a journalist 
'Nice to meet you Mrs Hodgson. We would just like to ask you a few questions concerning your eldest daughter Cara'
(Mother agrees by nodding head calmly)
'Thank you, we understand this may be difficult for you. I would like to get a deeper understanding of what happened to Cara.'
"It is true you had an argument with cara the night she went out?"
"i don't see how this concerns you, its none of your business"
"i understand mrs hodgson"
'would you describe yourself as a liberal mother?"
" i would say i am very fair with how i treat people and i was always very generous towards cara"
"i heard some rumours that cara witnessed a crime that night"
"yes she did witness a crime that night, but that is irrelevant""i believe Cara has gone and is not coming back"
"










PLANNING: INTERVIEW WITH EMILY


Following on from what we learnt from the article 'Getting to know our characters' we decided to do an interview with the youngest daughter (Emily) via WhatsApp. Here we can see her having a conversation with one her close friends. The exchange of messages show that Emily is not accepting the death of her older sister and her friend attempts to help her however, she is quite resistant in denial. 





DISTRIBUTION


Film Distribution is one of the final processes when creating a film, as this is the way in which you release your film to your specific audience. It is the process of getting the film into the hands of the broadcasters, theatre chains, video stores and video on demand operators. The companies that do this are called distributors. A distributor is the link between the filmmaker and the public, therefore they have many responsibilities. These include, deciding on a release date, creating advertisement campaigns, creating posters and flyers, designing art work, organizing premiers and arranging press interviews. The distribution of the film is just as important is the making of the film, as it allows people to see and enjoy the film created. Worldwide spend of films is around $65 billion a year, of which the distributors share is about $35 billion.

I recently researched a lot on distribution at the FDA website, this gave me a lot of detail about distribution. As well as the FDA website I signed up to the 'The Business of Film' course online at ‘Future Learn’.  When I signed up for this course I learned how large film companies produce their films and how important distribution is when you make a film. I recently visited the BFI on an A level  study day and had a talk from Rob Miller about distribution.

I also watched an interview with Stuart Williams on the FDA website. Stuart Williams told us that "word of mouth is the king" in terms of distribution. However this is not a type of distribution that you can control. 

The distribution of a film is also very dependent on the marketing of the film. The marketing can be split into two sections, above the line and below the line. Above the line marketing is targeted towards a more general audience in the mass media. Here the mass media would be print ads, television and cinema, and radio. These are not targeting a specific audience, therefore may not be as successful as below the line. This kind of marketing is mostly used for building brand awareness to a larger audience.


Below the line marketing tends to reach a more direct and targeted audience. This is done through social media, special events, paid searches and search engine marketing. By using below the line marketing people can build close relations with their customers and have direct contact. This is also drives individual responses. In terms of cost below the line marketing below the line costs a lot less and is a lot easier to organize. Online marketing is a very popular way to market a film. In 2013 £6.3million was spent on online advertising.



Gareth Lowrie from NBC Universal explained how he had worked on the marketing of the film Jurassic World. Gareth taught us that marketing is one of the most important aspects to creating a successful film. We learnt that viral marketing is one of the key ways to capture an audiences attention. For example, when he took part in the marketing for Jurassic World they decided to use Waterloo Station in London. They filled it with props and decorations from the film and made sure the main theme was put across to their audience. This targeted many people at once, therefore making it more likely for people to go and watch the film. Jurassic World turned out to be one of the top 10 highest grossing films of 2015, showing us that viral marketing must have an effect on how successful the film is.